作品名称：Mythological anchors (Ouroboros, Samsara, Primordial Myths)
参赛组别：青少年组：10-17周岁年龄段的青少年学生；
作品类别：A.美术作品「手绘、插画、国画、油画、素描、水彩、漆画、手工、版画、雕塑、模型、综合材料等」
作品说明：This series reinterprets the creation myth from “Shan Hai Jing” using topology, deconstructing the paradox of civilization through three visual domains: The first piece, “Xuan Pin Topology,” uses fractal algorithms to depict the creation of humans by the snake-bodied goddess Nwa, with ink dynamics presenting the quantum state of the initial chaos. The second piece, “Tao Tie Code,” deconstructs the bronze pattern of Tao Tie into data streams, with a serpentine neural network consuming the city skyline. The final piece, “Return to Chaos Mirror,” structures the Yin and Yang worlds with a Mbius strip, transforming the snake’s molt into blockchain symbols. The work employs non-Euclidean geometry to reconstruct the mythological topology, transforming the ouroboros from a creation totem into a topological metaphor for the capital loop. Through the collision of quantum ink and digital corrosion, it questions the eternal algorithm of greed in the iteration of civilization.
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